Inspired by Robert Bresson's film with the same title, MAN Mei To explores in "Pickpocket" the theme of loss and gain. The sculpture replicates the arms of a pocket-picker, in which they have been merged and sprouted from the same base. Its form depicts the hand movement during the act of stealing – the action of pulling out and inserting the hand with the stolen goods back into the pocket.

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《扒手》顧名思義，啟發自布烈遜的《扒手》，底座承托著一雙兩頭生長的手臂，複製扒手的手腕尋索間與得手後的對比，在得失之間覓取平衡。